Almost a follow-up to director Claude Sautet's Un Coeur en Hiver (1992), Nelly & Monsieur Arnaud further explores repressed emotions and failed relationships. Nelly (Emmanuelle Béart), an attractive young woman, is six months behind in her rent and struggling with odd jobs, while her husband (Charles Berling) lies in bed reading newspapers and watching TV. Her friend Jacqueline introduces her to Pierre Arnaud (Michel Serrault),
a retired judge and wealthy ex-businessman, who offers to settle
Nelly's debt. She agrees and is later so disappointed by her husband's
indifferent reaction that she leaves him. Arnaud asks her to be his
secretary because he needs help in typing his memoirs. Though obviously
attracted to her, he rarely expresses his emotions, and he suddenly
erupts only when he finds out about Nelly's affair with his young
publisher Vincent (Jean-Hugues Anglade). The film won Césars from the French Academy of Cinema for Best Director and Best Actor, although it lost Best Film to Mathieu Kassovitz's more innovative La haine.
Nelly & Monsieur Arnaud (1995), Claude Sautet
Almost a follow-up to director Claude Sautet's Un Coeur en Hiver (1992), Nelly & Monsieur Arnaud further explores repressed emotions and failed relationships. Nelly (Emmanuelle Béart), an attractive young woman, is six months behind in her rent and struggling with odd jobs, while her husband (Charles Berling) lies in bed reading newspapers and watching TV. Her friend Jacqueline introduces her to Pierre Arnaud (Michel Serrault),
a retired judge and wealthy ex-businessman, who offers to settle
Nelly's debt. She agrees and is later so disappointed by her husband's
indifferent reaction that she leaves him. Arnaud asks her to be his
secretary because he needs help in typing his memoirs. Though obviously
attracted to her, he rarely expresses his emotions, and he suddenly
erupts only when he finds out about Nelly's affair with his young
publisher Vincent (Jean-Hugues Anglade). The film won Césars from the French Academy of Cinema for Best Director and Best Actor, although it lost Best Film to Mathieu Kassovitz's more innovative La haine.
