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Vocalist Stacey Sievwright, whose performance here at times recalls Beth Gibbons in collaboration with Rustin Man, is complemented by Tony Doogan’s nuanced production; in fact each song illuminates the strengths of each player as well as the potent chemistry of the group.
Amongst the album’s brooding atmospherics and cavernous echoes, Beautiful Creature unexpectedly smuggles raunch into a tight, rapidly shifting mix of trumpets and horns. Elsewhere, the title track’s unobtrusive, haunting piano line succumbs to the friction of wild, exuberant guitar abandon and is probably the best example of the Moth dynamic, while the closing Oceans and Waves succeeds by tapping into melancholy and joy simultaneously – a fitting end to a striking debut."
Why Do I Hate Mornings So Much? Hello Im a 19 year old Male.Mornings have been my worst enemy since i was about 14. I cant get up no.
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