 Writer/director Derek Jarman injects his patented iconoclasm in this biography of Renaissance artist Michelangelo Merisa da Caravaggio. Nigel Terry plays the title role, whom (according to Jarman)  essentially told his own life story in his paintings. Caravaggio  travelled among thieves and prostitutes, many of whom were his models.  He once killed a man, kept a deaf/mute child as a virtual slave, and  squandered every penny he ever made. That we should care anything about  so miserable and obscure a personality is a tribute to Jarman's filmmaking savvy--and the number of elements from his own well-publicized life that he injects into the film.
Writer/director Derek Jarman injects his patented iconoclasm in this biography of Renaissance artist Michelangelo Merisa da Caravaggio. Nigel Terry plays the title role, whom (according to Jarman)  essentially told his own life story in his paintings. Caravaggio  travelled among thieves and prostitutes, many of whom were his models.  He once killed a man, kept a deaf/mute child as a virtual slave, and  squandered every penny he ever made. That we should care anything about  so miserable and obscure a personality is a tribute to Jarman's filmmaking savvy--and the number of elements from his own well-publicized life that he injects into the film.Sep 23, 2011
Caravaggio - Derek Jarman (1986)
 Writer/director Derek Jarman injects his patented iconoclasm in this biography of Renaissance artist Michelangelo Merisa da Caravaggio. Nigel Terry plays the title role, whom (according to Jarman)  essentially told his own life story in his paintings. Caravaggio  travelled among thieves and prostitutes, many of whom were his models.  He once killed a man, kept a deaf/mute child as a virtual slave, and  squandered every penny he ever made. That we should care anything about  so miserable and obscure a personality is a tribute to Jarman's filmmaking savvy--and the number of elements from his own well-publicized life that he injects into the film.
Writer/director Derek Jarman injects his patented iconoclasm in this biography of Renaissance artist Michelangelo Merisa da Caravaggio. Nigel Terry plays the title role, whom (according to Jarman)  essentially told his own life story in his paintings. Caravaggio  travelled among thieves and prostitutes, many of whom were his models.  He once killed a man, kept a deaf/mute child as a virtual slave, and  squandered every penny he ever made. That we should care anything about  so miserable and obscure a personality is a tribute to Jarman's filmmaking savvy--and the number of elements from his own well-publicized life that he injects into the film.
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