Most artists take a well-deserved break after so much work, but not
Tillman. Instead, he began his most ambitious project yet: composing and
recording a score for the short film The History of Caves, which
was written and directed by his wife, Emma. It’s a no-budget horror
flick (guised as an indie drama) that tells the story of a promiscuous
father and his suspicious children, who invoke witchcraft to get rid of
the young women who keep sleeping with their dad.
A decisive lack of dialogue makes the music the focal point, as it
plays over wordless scenes. Tillman reduces his instrumentation down to
soft acoustics and slow, sparse arrangements. He employs his
accomplished finger-picking technique (“Finish Those Cigarettes and Go
to Bed”, “Of Course I Live With Them”), minor key piano etudes
(“Alternate Title Score 777″), and lo-fi ambience (“Dial Tone”) to match
the movie’s melancholic mood and brooding pace. It recalls Ry Cooder’s
beautiful acoustic score to Paris, Texas, only shorter. Much shorter.
The vinyl and digital release of this soundtrack is only 15 minutes
long (including multiple renditions of the title theme). As a standalone
experience, it’s a pleasant listen, but far too short to make any
lasting impact. Only music present in the actual film was used, and it’s
hard to believe that Tillman would compose exactly 15 minutes of music
when writing the soundtrack. Perhaps including some pieces that were cut
from the film (a la Vangelis’ Blade Runner original soundtrack) could’ve filled out a longer proper release.
As it stands, this is a nice, fleeting instrumental stopgap for
Tillman, until the next Father John Misty LP. It’s also another positive
development for Tillman as a solo artist — proof that’s he’s willing
and able to cross into new mediums with his songwriting talent.
Dec 6, 2013
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