Kate Bush – 50 Words for Snow (2011)

Za zimu, za popodneva, za noci...
The album’s scenarios are as startling as the ones Bush spun in the plastic-fantastic 1980s, when she became famous for taking on myriad alter egos, from Houdini’s bride to Wilhelm Reich’s son to a whole menagerie of mythical creatures. But the tighter focus of Snow makes it one of Bush’s most cohesive works, despite the daunting length of each track. (The shortest is nearly 7 minutes long.) Spinning variations on a theme instead of offering one long narrative, Bush reimagines the concept album as a poet would, connecting its elements with delicate thread.
The opening and closing cuts invoke a chill as they dwell on the ephemeral nature of the life cycle. “Snowflake,” which features the choirboy pipes of Bush’s 12-year-old son Bertie, gives voice to the melting consciousness of the natural world itself; “Among Angels” reads like the sweetest kind of suicide note. In between there are imagined couplings – with a gender-bending snowman in “Misty,” and with a lover found and lost through many reincarnations (and played with brio by Elton John) in “Snowed In At Wheeler Street.” The bounding “Wild Man” chases a yeti.