...Interpol vs. Hunky Dory...
No less than 5 generations of Wainwrights make contributions to this new album with duets with Rufus, Martha, Lucy Wainwright Roche, Lexie Kelly Wainwright, Suzzy Roche,along with other esteemed guests John Scofield, Ramblin’ Jack Elliott and Dame Edna Everage. As his new album’s title relates, Loudon Wainwright III is “Older Than My Old Man Now” – his old man being the late Loudon Wainwright Jr., the esteemed Life Magazine columnist and senior editor. “Singer-songwriter contemporaries of mine have recently taken to writing memoirs and autobiographies,” notes Wainwright. “I decided I would try to tell the story of my swinging life in a three and one-half minute song.”
Sleep Party People – the bedroom project of Brian Batz – is like one of those fairy tale gems that keep radiating magical colours when it s dark, that actually grow bigger and brighter when nighttime falls. It’s something special and important and utterly beautiful. With the aid of an old drum machine, a piano and a guitar, a unique dreamlike universe arises. With traces of My Bloody Valentine shoegaze, Cocteau Twins mystique and Flaming Lips idiosyncracy the result is hard to define. But who cares?
...In The End Is The Beginning...Depresija...Izolacija...Magija...
...Let's Talk About Kevin...
In his fascinating exploration of a triple homicide case in Conroe, Texas, master filmmaker Werner Herzog probes the human psyche to explore why people kill-and why a state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (scheduled to die within eight days of appearing on-screen), Herzog achieves what he describes as "a gaze into the abyss of the human soul." Herzog's inquiries also extend to the families of the victims and perpetrators as well as a state executioner and pastor who've been with death row prisoners as they've taken their final breaths. As he's so often done before, Herzog's investigation unveils layers of humanity, making an enlightening trip out of ominous territory
Juan Oliver wants to make a good impression at his new job as a prison officer and reports to work a day early, leaving his pregnant wife, Elena, at home. His destiny is forever changed by this fateful decision, as during his tour of the prison, an accident occurs that knocks him unconscious. He is rushed to the empty but visibly haunted walls of cell 211.
It seems that a court room drama could be the best place for Frahadi to recreate his very own world and confront us with a short and somehow faraway situations and incidents in life. We think these kinds of happenings and conflicts would not take place in our lives but with his realistic world and characters they seem so close and possible to anyone. Asghar Farhadi loves to put his audience in place of judge, as his other pictures like About Eli or Fireworks Wednesday and here with no fear he takes us straight to a court room. But the thing is that the judge does not provide any help for us to make a clear judgment and surprisingly makes the situation even more complicated. Yes Farhadi doesn't want us to make a judgment, He makes us watch and observe and leave the theater with a big fork in front of us.It Seems that any single decision creates another world full of forks and not taken ways.
Atom Egoyan casts himself as the lead character in Calendar. He portrays a shutterbug who brings an array of different women to his apartment. Every time one of the women makes a phone call, the character notices a calendar consisting of photographs he took while in Armenia. The film flashes back to the time he took each of the photos. Traveling through Armenia with his wife, he does not share his wife's interest in the history behind the locations he is photographing. The wife eventually leaves him, and the film ends with him attempting to end their estrangement. This project began after Egoyan, whose ancestors were Armenian, was awarded the Special Jury Prize at the Moscow Film Festival for his 1991 film The Adjuster.
